9.0 其它 · 1948 · 其它 · 剧情片
Artúr Somlay,Miklós Gábor,Zsuzsa Bánki
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends? The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences: an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to "formalism for its own sake" have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
9.0 罗马尼亚语 / 匈牙 · 2022 · 罗马尼亚 / 法国 / 比利时 / 瑞典 · 剧情片
马林·格里戈利,朱迪思·斯泰特,Macrina,Barladeanu,Orsolya,Moldován,Rácz,Endre,József,Bíró,Ovidiu,Crisan,Zoltán,Deák,切拉塞拉·约西费斯库,安德烈·芬蒂,Bacs,Miklos,Alin,Panc,Victor,Benderra,Amitha,Jayasinghe,Gihan,Edirisinghe,Nuwan,K
圣诞前夕,结束国外工作的马蒂亚斯,返回到他土生土长的罗马尼亚特兰西瓦尼亚多民族山村。马蒂亚斯一边担心着儿子鲁迪从罗马尼亚母亲安娜那里受到的教育,一边渴望着再次见到他的匈牙利前情人奇拉。
6.0 匈牙利语 · 2019 · 匈牙利 · 剧情片
Eliza Sodró,索菲娅·绍莫希,Ern? Fekete,列文特·莫尔纳,ádám Porogi,Ferenc K?les,Anna Gy?rgyi,Miklós Béres
When Fuchs starts his new job as a teacher in a prison school, replacing the old and unconventional teacher Berger against her will, he is forced to confront his biggest fear, triggered by the mysterious, withdrawn inmate Samira.
7.0 其它 · 2014 · 韩国 · 喜剧片
皮洛斯卡·莫尔纳,Miklós Benedek,塔马斯·约旦,Csaba Gosztonyi,玛丽娜·格拉,Csaba Györy,Dániel Csengery,迪亚·麦格唐娜·凯斯
自殺不成的老婦人,屢次從頂樓一躍而下卻無法如願以償,只好再次跛腳步上公寓頂樓。每經過一層樓,便經過一段光怪陸離。七層樓,七種人生樣貌,詭異至極、毫無邏輯,以黑色幽默之姿一窺當代生活,笑看人性的虛偽及庸俗,笑到最後卻忍不住心底發毛。 匈牙利導演喬治帕爾菲二○○二年初試啼聲,便以處女作《田園風光》一炮而紅。其後的《百年癲狂》更顯瘋狂不羈,在坎城引發熱議。擅於揉合奇想與創意,以魔幻寫實著稱的喬治帕爾菲,新作《公寓瘋光》影像同樣奇幻詭譎,戲劇調度與剪輯美學更貼近夢境囈語。從喜劇、科幻到神話,從歡笑、驚悚到恐懼,在風格迥異的七部短片裡,導演也展現其對不同類型的遊刃有餘。
9.0 其它 · 2014 · 其它 · 喜剧片
Áron Ferenczik
Aron,快將三十,剛畢業,缺工作,連找工也由老媽寫CV,唯一成就是有個可愛女友,結果女友背他劈腿,人生至此已走至頹廢盡頭。每次想靜靜哀悼戀情,總被閒人瑣事纏身,面容呆滯,生活失焦,淪為他人世界的路人甲。直至一次酒後胡塗,錯手刷卡買下機票,遠離家鄉布達佩斯的陰霾,才在異國的陽光下重拾節奏。 匈牙利新進導演以平實手法,不以花巧鏡頭,靠著跳脫的敘事節奏及精準的人物呈現看似即興的安排,幽默有趣地用鏡頭捕捉現實社會下的「偽文青」心底事。這部魅力過人的清新首作,在各大歐洲電影節大放異彩,成為不少影評人的特別推介。 2014 意大利都靈電影節-評審團特別獎 2014 法國南特國際電影節
7.0 英语 · 2013 · 美国 · 欧美剧
乔纳森·莱斯·梅耶斯,托马斯·克莱舒曼,奥利弗·杰森-科恩,杰西卡·德·古维,罗伯特·巴瑟斯特,凯蒂·麦克格雷斯,侬索·阿诺斯,本·迈尔斯,维多莉亚·斯莫费特,Miklós Bányai
故事发生在遥远的1890年,邪恶的吸血鬼德古拉化身成为成功美国企业家艾伦(乔纳森·莱斯·梅耶斯 Jonathan Rhys Meyers 饰)来到伦敦,他此行有两个目的,一是研究当时十分发达的电力科学,而是找到曾经的仇人,向其施以无情的报复。 一次偶然中,艾伦遇见了名为米娜(杰西卡·德·高芙 Jessica De Gouw 饰)的年轻女子,让艾伦感到震惊的是,米娜的长相同他已经死去的妻子简直一模一样,而米娜也坚信,自己绝不是第一次见到眼前这个名叫艾伦的陌生男子。就在艾伦一步一步实现自己野心的同时,他的宿敌——吸血鬼猎人范海辛(托马斯·克莱舒曼 Thomas Kretschmann 饰)也展开了他的行动,这一次,他们能否分出胜负呢?
9.0 匈牙利语 · 2020 · 匈牙利 · 恐怖片
Viktor Klem,Fruzsina Hais,朱迪特·谢尔,Andrea Ladányi,佐尔特·安格尔,加博尔·瑞维斯基,加布里瑞拉·哈默里,András Balogh,迪亚·麦格唐娜·凯斯,玛丽·纳吉,伊尔迪科·托特,Eszter Kiss,Tamás Miklós Hajdu,Kristóf Mucsi,Erik Gyarmati,István Fazekas,áron Dimény,
1918年严冬,第一次世界大战和西班牙流感使得无数鬼魂漂泊于世间。从事遗体摄影的年轻人托马斯来到匈牙利的一座小村庄,目睹了一系列奇怪的超自然现象。他决定留下来调查鬼魂的意图,试着寻找摆脱它们的方法。十岁的孤儿安娜伴随他一起探险,在鬼魂愤怒的狂欢下度过重重险境。本片入围第36届华沙国际电影节国际竞赛单元。
9.0 葡萄牙语 · 2021 · 巴西 · 海外剧
托马斯·阿基诺,Gero Camilo,Clodd Dias,Liniker,Elisa Lucinda,Paulo Miklos,Isabela Ordo?ez,卡林·特莱斯,Dante Aganju,Gustavo Coelho,Chelfa Caxino,Silmara Deon,Inara Dos Santos,Breno Ferreira,Victoria Pereira,克莱比亚·索萨
The journey of a trans woman who leaves her hometown and doesn't compromise her goal to be a free and independent woman.
7.0 葡萄牙语 · 2021 · 巴西 · 欧美剧
托马斯·阿基诺,Gero Camilo,Clodd Dias,Liniker,Elisa Lucinda,Paulo Miklos,Isabela Ordo?ez,卡林·特莱斯,Dante Aganju,Gustavo Coelho,Chelfa Caxino,Silmara Deon,Inara Dos Santos,Breno Ferreira,Victoria Pereira,克莱比亚·索萨
The journey of a trans woman who leaves her hometown and doesn't compromise her goal to be a free and independent woman.
7.0 其它 · 2019 · 其它 · 恐怖片
Eliza Sodró,索菲娅·绍莫希,Ernõ Fekete,列文特·莫尔纳,Ádám Porogi,Ferenc Köles,Anna Györgyi,Miklós Béres
When Fuchs starts his new job as a teacher in a prison school, replacing the old and unconventional teacher Berger against her will, he is forced to confront his biggest fear, triggered by the mysterious, withdrawn inmate Samira.
10.0 英语 · 2017 · 美国 · 欧美综艺
Darrell Miklos 达雷尔·米克洛斯,Roger Miklos 罗杰·米克洛斯,Manuel Rodriguez 曼努埃尔·罗德里格斯,Charles Gregory Schwartz 查尔斯·格雷戈里·施瓦茨
寻宝者达雷尔·米克洛斯(Darrell Miklos)打算寻找宇航员戈登·库珀(Gordon Cooper)在1963年从太空中发现的沉船。 戈登·库珀是20世纪60年代美国宇航局的宇航员,在执行任务时,他在加勒比海沿岸拍摄了一只饥饿的“变形虫”。库珀认为,它们一定是沉没的船只,包括克里斯托弗·哥伦布失踪的舰队,而这些照片将成为一张地图,用来发现现在躺在海底的丢失的宝藏。虽然库珀去世了,但他把他长期保守的秘密和藏宝图留给了一位密友。本系列讲述的是一群寻宝者潜入库珀50年前从太空拍摄到的地点,希望发掘海洋的秘密。